Questions 73-75 are based on this concerto for violin and strings by Bach.
73. The harmony of the first three measures can best be described as
(A) alternating tonic to dominant harmony and ending in a half cadence
(B) alternating tonic to dominant harmony ending in an authentic cadence
(C) mostly tonic harmony ending with a half cadence
(D) continuous dominant harmony ending in an authentic cadence
74. Chords 1 and 2 within the box are best analyzed as
(A) vi7—ii
(B) V65/V—ii
(C) V7/ii—ii
(D) V43/ii—ii
75. This excerpt contains all of the following EXCEPT
(A) arpeggiated chords
(B) melodic sequence
(C) scalewise patterns
(D) hemiola
THIS IS THE END OF SECTION I, PART B.
Please continue to Section II
